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Dust Series by Thomas Edwards
Old, dilapidated buildings are usually an unsightly scene. In this case, however, miniature broken down houses are appreciated for being wonderful works of art. The series itself is based on photographs of abandoned structures neglected by man and destroyed by the weather. The photographs were taken by an amateur photographer from North Dakota, Ofra Lapid. They were then used to create small scale models.
For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. In order to “give a meaning” to the world, one has to feel involved in what one frames through the viewfinder. This attitude requires concentration, discipline of mind, sensitivity, and a sense of geometry. It is by economy of means that one arrives at simplicity of expression.
To take a photograph is to hold one’s breath when all faculties converge in a face of fleeing reality. It is at that moment that mastering an image becomes a great physical and intellectual joy.
To take a photograph means to recognize – simultaneously and within a fraction of a second– both the fact itself and the rigorous organisation of visually perceived forms that give it meaning.
It is putting one’s head, one’s eye, and one’s heart on the same axis.
—Henri Cartier Bresson (via laurel-clara-cats)
